All MFA Acting applicants are required to attend an in-person audition as part of our admissions process. However, we understand that traveling to an audition site may be logistically or financially difficult for some of our applicants. For those applicants, we offer the option of submitting a video prescreen and receiving a callback decision prior to making any travel arrangements.
Applicants who are not interested in the video prescreen may sign up for an MFA Audition as soon as they have submitted the online application. Students who submit a prescreen video and receive a callback will need to be able to attend our MFA Video-Callback Session in order to be considered for admission.
There is no admissions advantage to
submitting or not submitting a video for prescreen. Applicants are
encouraged to think about their travel
needs, the audition dates/locations that are available, and their own personal
preferences for navigating the audition process.
View Callback & Audition Dates
About the optional video prescreen
Applicants who wish to submit a video for prescreen must submit their application and upload their video to their DePaul Portal
by December 1
. All other application materials will need to be received by February 1
. Results of the prescreen are generally communicated within two weeks.
Applicants who pass the prescreen must be available to attend the MFA Video-Callback Session on February 3 in Chicago
in order to be considered for admission. Students cannot be admitted to the program on the video alone.
For the video, please upload a single video file
that contains the following:
- Introduction: your name and hometown (~10 seconds)
- Full-body view classical monologue (~90 seconds)
- Medium shot (three-button view) contemporary two-person scene; your scene partner may be anyone you choose, but they should be off-camera (and slightly behind it) so that we clearly see your face. You should not treat the camera as your scene partner. (~90 seconds)
- Side-view of "sun salutation" yoga sequence (~30 seconds)
The Callback follows a similar format to the regular audition day (see below) and applicants should be ready to present two (2) monologues - one contemporary and one classical - as part of the callback. The classical monologue can be the same one used for the video.
About the Audition
Check-in begins at the audition start time. We encourage you to do your own warm-up prior to the audition. After a short information session, applicants will individually present their monologues to current Theatre School faculty.
Each applicant should prepare two (2) monologues – one contemporary and one classical – lasting a maximum of four minutes total.
After the individual monologue sessions, the faculty will lead the audition group through a class experience. The class may include group improvisation, movement, or vocal expression work.
For the last part of the audition, you will be assigned a scene partner from among the other auditionees in your group. Under the direction of our faculty, you and your partner will work on a six-line “open scene” that the faculty will provide you during the audition. Once you and your partner have finished the scene work, you have completed the audition process.
NOTE: We encourage you to wear comfortable clothing appropriate for physical activity throughout the audition. However, if you feel the need to wear other clothing for your monologues there will be time to change prior to the class session.
About Your Monologues/text
- Classical monologues must be in verse and either be Shakespearean or from the Restoration, Jacobean, or Elizabethan periods.
- Your text must be memorized.
- Choose your text from plays. Do not use poems, films, or material from a one-person show.
- Avoid selections from monologue books, however if you do use one, make sure you read the entire play and understand the given circumstances of your monologue.
- Choose text in which you speak directly to one other person and in which you play only one character.
- Avoid using farce, as it tends to lead actors into superficiality rather than inner resources.
- Do not use dialects/accents that are not your own.
- Do not sing.
- Because our goal is to see you, and not a character, we strongly suggest that you choose a role that is very close to your own life experiences in addition to being close to your true age.